American Popular Entertainment. Papers and Proceedings of the Conference on the History of American Popular Entertainment. Edited by Myron Matlaw. Sponsored jointly by American Society of Theatre Research and Theatre Library Association (Westport, CT: Greenwood Press, 1979). ONLY A FEW COPIES LEFT.
Preserving
America's
Performing Arts, Papers from the Conference on Preservation Management
for
Performing Arts Collection. 1982. Edited by Barbara
Cohen-Stratyner
and Brigitte Kueppers. New York: Theatre Library
Association,
1985.
Papers from a pioneering conference on how to preserve materials in
performing
arts collections. Issues covered included deterioration and
stability,
paper and ms. materials, clippings, problems in music libraries,
playbills and
programs, film, videotapes, sound recordings, videodiscs, scrapbooks,
costumes,
photoghaphs, etc. Last remaining copies, $5.00
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| American Collections Edited by Ted Perry with the editorial assistance of Barbara Skluth (1974, c.1975) Contents |
|
|---|---|
| Louis A. Rachow |
Performing Arts Research Collections in
New York City |
| Anne G. Schlosser |
Film/Broadcasting Resources in the Los Angeles Area |
| Alan Woods |
A Survey of the Ohio State University Theatre Research
Institute |
| Frederick J. Hunter | Theatre and Drama Research Sources at the University of Texas
at Austin |
| Nati H. Krivatsy & Laetitia Yeandle |
Theatrical Holdings of the Folger Shakespeare Library |
| Laraine Correll |
The Belknap Collection for the Performing Arts: University of
Florida Libraries |
| Kay Johnson |
The Wisconsin Center for Theatre Research |
| Ray B. Browne
& William Schurk |
The Popular Culture Library and Audio Center |
| James Powers |
The Film History Program of the Center for Advanced Film
Studies of The American Film Institute |
| John B. Kuiper |
The Motion Picture Section of The Library of Congress |
| Betty Wharton |
The Chamberlain and Lyman Brown Theatrical Agency Collection |
| Avi Wortis |
The R. H. Burnside Collection of The New York Public Library |
| Phyllis Zucker |
The American Film Institute Catalog Project |
| Barry B. Witham |
An Index to "Mirror Interviews" |
| Briant Hamor Lee |
Theatrical Visual Arts Ephemera: Care and Protection |
| Richard
Stoddard & Frances Knibb Kozuch |
The Theatre in American Fiction, 1774-1850: An Annotated List
of References |
| James P.
Pilkington |
Vanderbilt Television News Archive |
| Lawrence W.
Lichty |
Sources for Research and Teaching in Radio and Television
History |
| Films and Filmscripts Edited by Ted Perry with the editorial assistance of Barbara Skluth (1975, c.1976) Contents |
|
|---|---|
| Eileen Bowser | Guidelines for Describing Unpublished Script Materials |
| Mary C. Henderson | With the Compliments of The Raymond Mander & Joe Mitchenson Theatre Collection |
| Ralph Sargent | Preserving the Moving Image: A Summary Review |
| James E. Fletcher & W. Worth McDougald |
The Peabody Collection of the University of Georgia |
| Mark S. Auburn | Promptscripts of The Rivals: An Annotated Bibliography |
| Richard Dyer MacCann | Reference Works for Film Study |
| David Haynes | A Descriptive Catalogue of the Filmic Items in the Gernsheim Collection |
| U. S. Government Documents on Art
and Cinema Edited by Ted Perry with the editorial assistance of Barbara Skluth (1976, c.1977) Contents |
|
|---|---|
| Mark Gladstone | A Bibliography of U. S. Government Documents Pertaining to Government Support of the Arts, 1963-1972 |
| Gerald O'Grady | Resources for the Oral History of the Independent American Film at Media Study/Buffalo, New York |
| Stephen Kovacs | Surrealist Cinema: A Selected Bibliography |
| Betty L. Corwin | Theatre on Film and Tape |
| Christopher Wheaton & Richard B. Jewell |
The Cinema Library at the University of Southern California |
| L. Terry Oggel | A Short Title Guide to the Edwin Booth Literary Materials at The Players |
| Llewellyn H. Hedgebeth | The Chuck Callahan Burlesque Collection |
| International Collections Edited by Mary C. Henderson with the assistance of Wendy Warnken (1978) Contents |
|
|---|---|
| Peter Burgis | Dame Nellie Melba or Peach Melba |
| Joyce Duncan Flak | Research Opportunities at the Theatre Institute Library, Barcelona |
| Geoffrey Wigoder | History in Motion |
| Daniel W. Ladell | The Stratford Festival Archives |
| Lou Hoefnagels | Theater Klank En Beeld: Sound and Film Archives of the Dutch Theatre |
| Wendy Warnken | The Shakespeare Center Library |
| Micky Levy | Theatre Research in Moscow and Leningrad |
| Paul S. Ulrich | Theatre Research Resources in West Berlin |
| George Rowell | The University of Bristol Theatre Collection |
| Gabriele Melischek & Wolfgang Ranjoué |
A Documentary System for Television Archives |
| Elizabeth Burdick | The International Theatre Institute |
| Recollections of O. Smith Edited by Mary C. Henderson with the assistance of Wendy Warnken William W. Appleton, guest editor (1979) Contents |
|---|
| This volume is devoted in its entirety to the manuscript of a 19th century English Actor, O. Smith... its descriptions of famous 19th century figures [offer] insights into a fascinating and lively era in theatrical history. Richard John Smith, better known as O. Smith, has aptly been called the Boris Karloff of the nineteenth century. Tall, gaunt, with a sepulchral voice, he made his reputation playing demons, devils, monsters, and assassins... Atrocities were his ordinary occupation. As Jonathan Wild in Jack Sheppard he hacked the fingers from the hand of Trenchard, his accomplice, sending that nobleman plunging to his doom to the accompaniment of the famous tag line, "You have a long journey before you, Sir Roland." |
| The Federal Theatre Project Edited by Mary C. Henderson with the assistance of Wendy Warnken (1980) Contents |
|
|---|---|
| Loraine Correll | Federal Theatre Project Records at George Mason University |
| Dorothy L. Swerdlove | Research Materials of the Federal Theatre Project in the Theatre Collection of the New York Public Library at Lincoln Center |
| Robert Saudek, Mary V. Ahern, Douglas Gibbons & Judith E. Schwarts |
The Museum of Broadcasting |
| David R. Smith | Archives of the Mouse Factory |
| Ginnine Cocuzza | Player Piano Rolls in the Collection of the Songwriters' Hall of Fame |
| R. Eric Gustafson | The San Francisco Archives for the Performing Arts |
| The Commedia dell'Arte Edited by Ginnine Cocuzza and Barbara Cohen-Stratyner (1981) Contents |
|
| Mel Gordon | Lazzi: The Comic Routines of the Commedia dell'Arte |
| Claudio Vicentini, trans. | Pulcinella, the False Prince |
| Stage Design: Problems of
Collecting, Cataloging and Conserving Documents Papers from the 15th International SIBMAS Congress Edited by Ginnine Cocuzza and Barbara Cohen-Stratyner (1983) Contents |
|
|---|---|
| Cecilia Folasade Adedeji | African Stage Design: Problems of Collecting, Cataloguing, and Conserving Documents |
| Anthony Ibbotson | The Stage Design Collection of the National Arts Centre, Ottawa, Canada |
| Melissa Cain & Michael Mullin |
Design by Motley: A Theatre and Costume Arts Collection |
| Alan Woods | The McDowell Research Classification System for the Cataloguing of Scene and Costume Designs |
| Alfred S. Golding | Problems and Observations Concerning the Translation of Scenographic Terms from French to English |
| Olga Vagenas | Some Experience in Collection of Documents on Theatre Scenery from the Past |
| Nadezda Mosusova | Influence of Stage Design on Music/Drama |
| Cecile Giteau | Models of Scenery and Costumes in the Performing Arts Department of the Bibliotheque Nationale, Paris |
| André Veinstein | Elements of a Method for using Models of Scenery or of Scenery Arrangements as Study Documents |
| Marie Francoise Christout | Audiovisual Techniques Used in Exhibits: Various Procedures |
| Barbro Stribolt | Eighteenth-Century Stage Settings at the Court Theatres of Drottningholm and Gripsholm |
| Harald Zielske | Some Original Early 19th Century Stage Decorations in the Ludwigsburg Court Theatre: Problems of Conservation and Presentation |
| Franz Lang's An Essay on Stage Performance Edited by Ginnine Cocuzza and Barbara Cohen-Stratyner (1984) Contents |
|---|
| A translation of Franz Lang's Dissertatio de Actione Scenica (1727), by Alfred S. Golding. |
| Performing Arts Corporate Archives Edited by Ginnine Cocuzza and Barbara Cohen-Stratyner (1985) Contents |
|
|---|---|
| Audree Malkin | Twentieth-Century Fox Corporate Archive at the UCLA Theater Arts Library |
| Joanne L. Yeck | "Verbal Messages Cause Misunderstandings and Delays (Please Put Them in Writing)": The Warner Bros. Collection |
| Mary Ann Jensen | The Warner Brothers Collection at Princeton University Library |
| Steve Nelson | Performing Arts Collections at the Robert F. Wagner Labor Archives |
| Cynthia G. Swank | Performing Arts on Madison Avenue |
| Lee R. Nemchek | The Pasadena Playhouse Collection |
| Ellen V. Howe | The Dublin Gate Theatre at Northwestern University Library |
| William Allison | The Penn State Archives of American Theatre Lighting |
| Bruce Whitehead | Engineering Contributions in Theatre Technology: Remembering the Innovators |
| Frederick Bentham | The Strand: Its History and Archives |
| Scenes and Machines from the 18th Century: The
Stagecraft of Jacopo Fabris and Cityoen Boullet Edited by Barbara Cohen-Stratyner (1986) Contents |
|---|
| Fabris' Instruction in Theatre, Architecture, and Mechanics (1760) and Boullet's Essay on the Art of Constructing Theatres, Their Machines, and Their Operations (1801), translated by C. Thomas Ault. |
| 19th and Early 20th Century
Topical Bibliographies and Play Lists Edited by Barbara Cohen-Stratyner (1987) Contents |
|
|---|---|
| Jonathan Levy
& Martha Mahard |
Preliminary Checklist of Early Printed Children's Plays in English, 1780-1855 |
| Noreen C. Barnes & Laurie J. Wolf |
Actresses of All Work: 19th Century Sources on Women in 19th Century American Theatre |
| Rosemary L. Cullen | A Checklist of American Civil War Drama: Beginnings to 1900 |
| Geraldine Maschio | Female Impersonation on the American Stage, 1860-1927: A Selected Bibliography of Performed Materials, and a Review of Literature |
| Colette A. Hyman | Workers on Stage: An Annotated Bibliography of Labor Plays of the 1930s |
| The Drew and Barrymore Families Featuring Maruice Barrymore's Nadjezda Edited by Barbara Cohen-Stratyner (1988) Contents |
|
|---|---|
| Don B. Wilmeth | American Acting Dynasties |
| Mary Ann Jensen | From Strolling Players to Steven Spielberg: 100 Years of a Theatrical Family |
| C. Lee Jenner | The Duchess of Arch Street: An Overview of Mrs. John Drew's Managerial Career |
| James Kotsilibas-Davis | The Unbroken Chain: Traditions in Style |
| William Roerick | Remembering Ethel Barrymore and Others |
| Charles M. Affron | The Barrymores and Screen Acting |
| James Kotsilibas-Davis | An Introduction to Nadjezda |
| Maurice Barrymore | Nadjezda: A Modern Tragedy |
| 19th and Early 20th Century
Periodicals Edited by Barbara Cohen-Stratyner (1989) Contents |
|
|---|---|
| Florence C. Smith | Introducing Parlor Theatricals to the American Home |
| Jack W. McCullough | The Theatre as Seen Through Late Nineteenth Century Technical Periodicals |
| Stephen M. Vallillo | Popular Entertainment in the Trades: A Case Study of the New York Clipper and the New York Dramatic Mirror |
| Sara Velez | Sound Recording Periodicals: 1890-1929 |
| Maryann Chach | The New York Review |
| Julie Malnig | Researching Exhibition Ballroom Dance: Exploring Nontraditional Sources |
| Barbara Cohen-Stratyner | Fashion Fillers in Silent Film Periodicals |
| Arts and Access: Management Issues
for Performing Arts Collections Edited by Barbara Cohen-Stratyner (1990) Contents |
|
|---|---|
| Liz Fugate | Theatre Companies in the U.S.: An Ephemera Collection at the University of Washington Drama Library |
| Leslie Hansen Kopp | PRESERVE: Assuring Dance a Life Beyond Performance |
| Suzanne Flandreau | Documenting an Oral Tradition: The Blues Archives at the University of Mississippi |
| Victor T. Cardell | The Archive of Popular American Music: Strategies for the Management of Large Music Archives |
| Maryann Chach | Costume Sketches in the Shubert Archive |
| Nena Couch | The Theatre Research Institute and its Collections within a Large Institution: The Jerome Lawrence and Robert E. Lee Theatre Research Institute of the Ohio State University |
| Martha Schmoyer LoMonaco | Putting Performance On-Line |
| Martha M. Yee | Cataloging at the UCLA Film & Television Archive |
| Paula Murphy | Audiovisual Services for the Performing Arts Programs at Columbia College, Chicago |
| Claire Petrie | User Education in the Visual Arts Library |
| Sheila Ryan | "At the Goodman Theatre": An Essay on Performing Arts Documentation |
| Taking the Pledge and Other Public
Amusements Edited by Barbara Cohen-Stratyner (1991) Contents |
|
|---|---|
| John W. Frick | Victims of the Bottle from Printed Page to Gilded Stage: T. P. Taylor's Dramatization of George Cruikshank's Serial Illustrations, The Bottle |
| T. P. Taylor | The Bottle, A Drama in Two Acts |
| George Cruikshank | The Gin-Shop, A Serial Illustration |
| Barbara Cohen-Stratyner | Platform Pearls; Or 19th Century American Temperance Performance Texts |
| Martha Schmoyer LoMonaco | Treasures in the Attic: Gleanings from the Private Archive of Henry Clay Barnabee |
| X. Theodore Barber | "The Mystery of the South End": The Boston Cyclorama of the Battle of Gettysburg |
| Stephen M. Vallillo | The Missing Will and George M. Cohan's Money to Burn |
| Eugenia Everett | The Men of the Dancing First |
| The New York Hippodrome: A Complete Chronology of Performances, from 1905 to 1939 by Milton Epstein Edited by Barbara Cohen-Stratyner (1993) |
|---|
| Exhibitions and Collections Edited by Barbara Cohen-Stratyner (1995) Contents |
|
|---|---|
| Lauren Bufferd | Remembering "Resetting the Stage": Collaboration and Conflicts of a Performing Arts Exhibition |
| Mary Ellen Rogan & Kevin Winkler | The Impact of AIDS on Archival Collections in the Performing Arts |
| Annie Van Fossen Storr | Audiences, Exhibitions and Interpretive Labels |
| Barbara Stratyner | The Museum Paradox: The Co-Existence of Narrative Structure and Audience Advocacy |
| After
the Dance: Documents
of Ruth St. Denis and Ted Shawn
Edited by Susan Brady |
|
|---|---|
|
Barbara Cohen-Stratyner |
Brief Precis of the Careers of Ruth St. Denis and Ted Shawn |
|
Dance Collection Staff, New York Public Library for the Performing Arts |
Denishawn at the Dance Collection: A User's Guide |
|
Norton Owen |
Accidental Acquisitions: The Jacob's Pillow Archive Collection |
|
Tricia Henry Young |
Killinger Collection of Denishawn and Ted Shawn and His Men Dancers Costumes |
|
Amy Lucker |
The John Lindquist Collection at the Harvard Theatre Collection |
|
Barbara Cohen-Stratyner |
Denishawn Dances Notated for Purchase |
| Pleasure
Gardens
Edited by Stephen M. Vallillo and Maryann Chach |
|
|---|---|
|
Geraldine A. Duclow |
Philadelphia's Early Pleasure Gardens |
|
John W. Frick |
"Fireworks, Bonfires, Balloons and Mores": New York's Palace Garden |
|
Arthur W. Bloom |
Science and Sensation, Entertainment and Enlightenment: John Mix and the Columbian Museum and Gardens |
|
Katy Matheson |
Niblo's Garden and Its "Concert-Saloon," 1828-1846 |
| Their
Championship Seasons: Acquiring, Processing and Using Performing Arts
Edited by Kevin Winkler |
|
|---|---|
|
Linda B. Fairtile |
Performing Arts Manuscript Collections: Balancing Access
and Privacy |
|
Mary Ellen Rogan |
All's Well That Ends Well: The Processing of the New
York Shakespeare Festival Collection |
|
Jeremy Megraw |
Setting the Stage: Legacies of the Joseph Papp/New York
Shakespeare Festival Archives |
|
Michala Biondi |
Behind the Scenes of a Theatrical Life: Joseph Papp
and the New York Shakespeare Festival Archives |
| Martha S. LoMonaco | From Archive to Stage: Hair Then and Now |
| Camille Croce Dee | The Lucille Lortel Papers:
Archiving the Queen of Off-Broadway |
| Nena Couch | Use of Performing Arts
Collections at The Lawrence and Lee Theatre Research Institute |
| David Farneth | Valuing Composers'
Archives: How One Institution Encourages International Study,
Performance, and Publication |
| American Puppetry: Collections,
History and Performance Edited by Phyllis T. Dircks (2004) Contents |
|
| Vincent Anthony | A Snapshot of
Puppeteers of
the United States and Canada |
| Lowell Swortzell | A Short View of American
Puppetry |
| Fredric Woodbridge Wilson | Puppetry and Related Materials
in the Harvard Theatre Collection |
| Roy W. Hamilton | Asian Puppets at the UCLA
Fowler Museum of Cultural History |
| Nancy Lohman Staub | The Center for Puppetry Arts Museum Collection |
| Elka Schumann | The Bread & Puppet Theater
Company Collection |
| John Bell | Puppets and "The Iconography
of Drama": The Brander Matthews Collection at Columbia University |
| Phyllis T. Dircks | The Ballard Institute and
Museum of Puppetry Collection |
| John Bell | Paul
McPharlin and Puppetry at the Detroit Institute of Arts |
| Richard Leet | The Bill
Baird World of Puppets at the Charles H. MacNider Museum |
| Kathy
Foley
& Ann Wright-Parsons |
The Puppet
Collection of the American Museum of Natural History |
| Bernard F. Reilly | The Burr
Tillstrom Collection and Archives at the Chicago Historical Society |
| Annette Fern | The
Marionette Theatre of Peter Arnott at Harvard University |
| Kathy Foley | The Lou
Harrison Collection: Music and Puppetry East to West |
| Roberta Zonghi | The Dwiggins
Marionettes at the Boston Public Library |
| Ellen
Roney Hughes & Dwight Blocker Bowers |
The Puppet
Collection of the National Museum of American History |
| Alan Woods | "Bringing
Together Man and Nature": The Theater of Julie Taymor |
| Leslee Asch | Exhibitions
and Collections of the Jim Henson Company |
| Phyllis T. Dircks | Howdy Doody
in the Courtroom: A Puppet Custody Case |
| Mina
Gregory, Maureen Russell & Cara Varnell |
The
Fundamentals of Marionette Care |
| Mary Flanagan | Puppetry in Cyberspace: Developing Virtual Performance Spaces |
|
Performance Documentation and Preservation in an Online
Environment
Symposium Proceedings Edited by Kenneth Schlesinger Associate Editors: Pamela Bloom and Ann Ferguson (2004) Contents |
|
| Linda Tadic | Towards a Digital Code
of
Hammurabi |
| Cheryl Faver | Archiving and Digital
Performance |
| Karen W. Brazell | GloPAC: Creating Digital
Resources for a Global Audience |
| David Z. Saltz | Virtual Vaudeville: A Digital
Simulation of Historical Theatre |
| Catherine Owen | "What Happens When the Money Runs Out?": Librarians and the Digital Resources Challenge |
| Barry Smith | Just a Phase We're Going
Through? |
| Hugh Denard | Performing the Past: The
Virtual Revolution in Performance History |
| Richard Rinehart | Berkeley Art Museum/Pacific
Film Archive |
| Richard Rinehart | Archiving
the Avant Garde: Documenting and Preserving Variable Media Art |
| Jon Ippolito | Digital
Performance: Damnation or Salvation? |
| Jon Ippolito | Accommodating
the Unpredictable: The Variable Media Questionnaire |
| Howard Besser | Longevity of
Electronic Art |
| Ann Doyle | Where is There?: Multi-site Performance Events and the Opportunities and Challenges They Create |
|
Documenting: Lighting Design
Edited by Susan Brady and Nena Couch (2007) Contents |
|
| Jennifer Tipton | Foreword |
| Linda Essig | A Primer for the
History of Stage Lighting |
| William B.
Warfel |
Thoughts on the History of Stage
Lighting Education |
| Karl G. Ruling | Theatre Lighting BC and AC |
| Mary Tarantino | Beyond the Produced Design:
Teaching Lighting Design Through Archival Research |
| Fredric
Woodbridge Wilson, Chrystyna Dail, Barbara Knowles, Nena Couch, Sandra Stelts, Maryann Chach & Susan Brady |
Archival Resources for Research in Stage Lighting |
| |
A Bibliography of Stage Lighting
Design |
